Made in:side

Made In:side comprises a number of photographs documenting what appear to be graphically rendered cardboard-box sculptures of varying sizes and configurations superimposed onto an interior space. Whether inverted, partially disassembled, or stacked the boxed assemblages evince the difference and repetition of classic Minimalism rendered with an endearingly brash Pop aesthetic. Eškinja delineates the forms by applying strips of brown (and occasionally red, green, or black) tape to the walls and floor of a gallery.Encountered from a random vantage point, whether in documentation or in person, the tape-drawn lines would appear disjointed and nonsensical. Butby placing his camera at the exact point where the illusion coalesces, Eškinja summons it into order – into a simulation of three-dimensional reality that is, paradoxically, only preserved and perceptible via the two-dimensional photographs, which are the ultimate expression of Made In:side.

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